\n2016<\/a> – 2015<\/a> – 2014<\/a> – 2013<\/a> – 2012<\/a><\/p>\n
2015<\/B><\/p>\nMesse de Minuit pour No\u00ebl<\/h2>\n
Samstag, 19. Dezember, 20 Uhr, Theodorskirche Basel
\nSonntag, 20. Dezember, 16 Uhr, Klosterkirche Dornach<\/p>\n
M.A. Charpentier (1643\u20131704) : Messe de Minuit pour No\u00ebl<\/b>
\nChor S\u00ffndiCats (Samuel Strub, Leitung)
\nThe Little Light Consort, Mitwirkung<\/p>\nThe Little Light Consort<\/h2>\n
Samstag, 14. November 2015, 20:00 Uhr
\nSonntag, 15. November 2015, 17:00 Uhr
\nKirche Wohlen<\/p>\n
Heinrich Sch\u00fctz : Schwanengesang<\/b>
\nSingkreis Wohlen bei Bern
\nhttp:\/\/www.singkreis-wohlen.ch\/<\/p>\nEnsemble MATIS<\/h2>\n
1.11.2015
\nKonzert in der Clavierwerkstatt Christoph Kern, Staufen DE<\/p>\n
http:\/\/www.ensemblematis.com\/
\nRyosuke has taken part in their recording project (programm with french barock music) in September and from this workshop we rent cembalo for that.<\/p>\n
Delight in Disorder<\/h2>\n
Wednesday, September 23rd 2015, 18:15
\nKart\u00e4userkirche, Basel<\/p>\n
Altstadt-Serenaden der BOG: Lauten Consort-Delight in Disorder<\/b>
\nRyosuke Sakamoto (Diskantlaute), Michal Gondko (Altlaute), Sam Chapmann (Tenorlaute), Ziv Braha (Basslaute).
\nWerke von Phal\u00e9se, Merula, Frescobaldi, Vallet.
\nEintritt frei. www.stiftung-bog.ch<\/p>\nSchalmei und Laute<\/h2>\n
Sunday, September 20th 2015, 17:00
\nKart\u00e4userkirche, Basel<\/p>\n
Konzert von Vokalensemble I Sestini \u6311\u62262015\u300e\u30ac\u30f3\u30d0\u30fb\u30c7\u30e5\u30aa\u300f<\/b> 7\u670820\u65e5(\u795d)15\u6642\u3000\u9ce5\u53d6\u6559\u4f1a(\u9ce5\u53d6) \u300e\u30a2\u30ce\u30cb\u30de\u30b9\u793c\u8b83\u300f\u540d\u524d\u306b\u5b88\u3089\u308c\u305a\u306b\u4f1d\u308f\u3063\u305f\u97f3\u697d<\/b> 7\u67084\u65e5(\u571f)17\u6642\u3000\u677e\u672c\u97f3\u697d\u8fce\u8cd3\u9928(\u6771\u4eac)\u3000\u203b50\u5e2d \uff17\u6708\uff11\u65e5(\u6c34)19:30 – 21:00 16\u4e16\u7d00\u306e\u69d8\u3005\u306a\u821e\u66f2\u3088\u308a\uff0f\u30ea\u30c1\u30a7\u30eb\u30ab\u30fc\u30ec\u3068\u30d5\u30a1\u30f3\u30bf\u30b8\u30a2\uff0f\u4fd7\u8b21\u306b\u57fa\u3065\u304f\u5373\u8208\u6f14\u594f\u3000\u4ed6 17. and 20. March 2015 Saturday 20th June, 3.00pm & 5.30pm The Queen\u2019s Revels & Joanne Lunn soprano<\/span><\/p>\n The Rhine Valley Music Festival Sonntag, 3. Mai 2015, 19:30 Now is the month of Maying<\/b> Ensemble Phoenix http:\/\/www.ensemble-phoenix.com\/intro.php<\/a><\/span> Zwei der Greatest Madrigal Hits des 16. Jahrhunderts sind \u201eApril is in my mistress\u2019 face\u201c (1594) und \u201eNow is the month of Maying\u201c (1595) und beide stammen aus der Feder von Thomas Morley (1557\/8-1602). Er vertonte zudem zwei Texte von Shakespeare: \u201eIt was a lover and his lass\u201c aus Wie es euch gef\u00e4llt und \u201eO Mistress Mine\u201c aus Was ihr wollt. Shakespeare und Morley geh\u00f6rten sogar der gleichen Kirchengemeinde an und haben sich h\u00f6chstwahrscheinlich gekannt. Morley, der auch Kirchenorganist war, schrieb innovative Musik f\u00fcr ein spezielles Ensemble von sechs Instrumenten, das \u201aBroken Consort\u2018 (Violine, Fl\u00f6te, Laute, Bandora, Cittern, Viola da Gamba). Dabei spielt die Laute eine besonders wichtige Rolle mit ihren ununterbrochenen Kaskaden von virtuosen Verzierungen. Kurzweilige Instrumentalst\u00fccke und feinkomponierte, stimmungsvolle Vokalwerke: ein echter H\u00f6rgenuss!<\/p>\n Saturday, April 18th 2015, 21:00 Friday, April 17th 2015, 20:30 Cerrar\u00e1 el Ciclo el grupo Tunelanders ,coordinado por Joan Boronat. Nos ofrecer\u00e1n un acercamiento a las tonadas ,”tunes” (de ah\u00ed el nombre del grupo) de origen irland\u00e9s y escoc\u00e9s que aparecen en diversos cancioneros de los XVII y XVIII y en composiciones de m\u00fasicos barrocos de la \u00e9poca. Con este material de base, Tunelanders ofrecer\u00e1 arreglos para instrumentos como : viol\u00edn, clavic\u00e9mbalo, flauta de pico y traversa barroco, violonchelo, guitarra barr\u00f3ca y zanfo\u00f1a.<\/p>\n The Tunelanders offers an Approach to the “tunes” (hence the number of the group) of Scottish and Irish origin that show up in the seventeenth and eighteenth century and compositions of the period (so called aroque music). With this base material, Tunelanders will offer arrangements for instrumentos as: violin, harpsichord, flute and flute traverso, baroque cello, baroque guitar and harpsicord.<\/p>\n Ryosuke plays baroque guitar.<\/p>\n 10. April 2015, 20:00 Voyages et M\u00e9tamorphoses<\/b> \u00e0 l’occasion de l’inauguration de l’exposition “M\u00e9tamorphoses” \u00e0 la Biblioth\u00e8que Nationale Universitaire de Strasbourg r\u00e9nov\u00e9e : La Naissance du Violon<\/b> Sonntag, 29. M\u00e4rz 2015 \u2013 Palmsonntag, 10.00 Gottesdienst und 11.30 Morgenmusik Matth\u00e4us-Passion \/Johann Theile (1646-1724) <\/b> Montag, 16. M\u00e4rz 2015, 19.00 Uhr As Ensemble Il bell’humore<\/a><\/span> 14. February 2015 IL DIVINO\u3000\u30eb\u30cd\u30b5\u30f3\u30b9\u306e\u540d\u5320<\/b> \u65e5\u672c\u30b9\u30a4\u30b9\u56fd\u4ea4\u6a39\u7acb150\u5468\u5e74\u8a18\u5ff5\u516c\u6f14<\/b> 14:00, 4 January 2015, \u8c4a\u7530\u5e02\u80fd\u697d\u5802 (\u611b\u77e5) \u5168\u516c\u6f14\u30c1\u30b1\u30c3\u30c8\u53d6\u6271\u3044\u3000\u30a4\u30fc\u30d7\u30e9\u30b9\u3000http:\/\/eplus.jp\/(PC\/\u643a\u5e2f) Trio Stadlmann<\/b>(\u30c8\u30ea\u30aa\u30fb\u30b7\u30e5\u30bf\u30c3\u30c8\u30eb\u30de\u30f3)<\/u> \u30d0\u30ea\u30c8\u30f3\u306f\u300117\u4e16\u7d00\uff5e18\u4e16\u7d00\u306b\u304b\u3051\u3066\u3001\u30e8\u30fc\u30ed\u30c3\u30d1\u306e\u4e00\u90e8\u306e\u4e0a\u6d41\u968e\u7d1a\u3067\u6f14\u594f\u3055\u308c\u305f\u5f26\u697d\u5668\u3067\u3001\u5f13\u3067\u97f3\u3092\u9cf4\u3089\u3059\u4ed6\u306b\u3001\u88cf\u5074\u304b\u3089\u306f\u3058\u3044\u3066\u6f14\u594f\u3059\u308b\u3053\u3068\u3082\u53ef\u80fd\u306a\u3001\u5171\u9cf4\u7528\u306e\u91d1\u5c5e\u88fd\u306e\u5f26\u3092\u5099\u3048\u305f\u7279\u6b8a\u306a\u69cb\u9020\u3092\u3057\u3066\u3044\u307e\u3059\u3002 Baryton is a string-bowed instrument which was played by noble class people mostly in between seventeenth and eighteenth centuries in Europe. This rare instrument has a special structure with metal strings which seeks for resonance, and also allows performer to pluck. Saturday, 7. February 2015, 16:00 EMC\u30c1\u30e3\u30da\u30eb\u30b3\u30f3\u30b5\u30fc\u30c8\u30b7\u30ea\u30fc\u30ba Mamiko Hirai \u5e73\u4e95\u6e80\u7f8e\u5b50, sopran \u4e3b\u50ac\u30fb\u304a\u554f\u3044\u5408\u308f\u305b\uff1a\u30a2\u30fc\u30ea\u30fc\u30df\u30e5\u30fc\u30b8\u30c3\u30af\u30ab\u30f3\u30d1\u30cb\u30fc Archive 2016 – 2015 – 2014 – 2013 – 2012 2015 Messe de Minuit pour No\u00ebl Samstag, 19. Dezember, 20 Uhr, Theodorskirche Basel Sonntag, 20. Dezember, 16 Uhr, Klosterkirche Dornach M.A. Charpentier (1643\u20131704) : Messe de Minuit pour No\u00ebl Chor S\u00ffndiCats (Samuel Strub, Leitung) The Little Light Consort, Mitwirkung The Little Light Consort Samstag, 14. … <\/p>\n
\nZwischenmusik Ayelet Karni (Oboe, Schalmei) und Ryosuke Sakamoto (Laute)
\n![\"Ayelet\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/Ayelet-300x212.jpg\")
<\/a><\/p>\n\u30ac\u30f3\u30d0\u30fb\u30c7\u30e5\u30aa<\/h2>\n
\n\u30c1\u30a7\u30ed\u594f\u8005\u3068\u30ea\u30e5\u30fc\u30c8\u594f\u8005\uff1a\u7570\u306a\u308b\u8996\u70b9\u3067\u6311\u3080\u65b0\u3057\u3044\u30f4\u30a3\u30aa\u30e9\u30fb\u30c0\u30fb\u30ac\u30f3\u30d0\u306e\u4e16\u754c
\n\u51fa\u6f14\uff1a\u6b66\u6fa4\u79c0\u5e73\u30fb\u5742\u672c\u9f8d\u53f3\u3000\u30f4\u30a3\u30aa\u30e9\u30fb\u30c0\u30fb\u30ac\u30f3\u30d0
\n\u203b\u30b2\u30b9\u30c8\u3000\u5742\u672c\u5229\u6587(\u5927\u962a\u516c\u6f14)\u3001\u591a\u4e95\u667a\u7d00(\u6771\u4eac\u516c\u6f14)<\/p>\n
\n7\u670822\u65e5(\u6c34)19\u6642\u3000\u30a2\u30fc\u30c8\u30b3\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc(\u5927\u962a)
\n7\u670823\u65e5(\u6728)19\u6642\u3000\u8fd1\u6c5f\u697d\u5802(\u6771\u4eac)<\/p>\n![\"OMOTE\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/OMOTE1-214x300.jpg\")
<\/a> ![\"ura\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/ura-214x300.jpg\")
<\/a><\/p>\n\u30a2\u30ce\u30cb\u30de\u30b9\u793c\u8b83<\/h2>\n
\n\u51fa\u6f14\uff1a\u5742\u672c\u9f8d\u53f3\u3000\u30eb\u30cd\u30b5\u30f3\u30b9\u30fb\u30ea\u30e5\u30fc\u30c8<\/p>\n
\n7\u67085\u65e5(\u65e5)14\u6642\u3000\u4f50\u4fdd\u5c71\u8336\u8ad6(\u5948\u826f)
\n7\u67087\u65e5(\u706b)20\u6642\u3000\u30ab\u30d5\u30a7\u30fb\u30a2\u30f3\u30bb\u30e0(\u795e\u6238)\u3000\u203b25\u5e2d<\/p>\n![\"OMOTE\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/OMOTE.jpg\")
<\/a> ![\"URA\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/URA-214x300.jpg\")
<\/a><\/p>\n\u73c8\u7432\u3068\u53e4\u697d\u3000Vol.4<\/h2>\n
\n\u5b66\u4e0b\u30b3\u30fc\u30d2\u30fc\uff08\u4e38\u30ce\u5185\u7dda\u8317\u8377\u8c37\u99c5\u3088\u308a\u5f92\u6b69\uff13\u5206\uff09https:\/\/www.facebook.com\/gakushita.coffee<\/p>\n
\n\u30d5\u30e9\u30f3\u30c1\u30a7\u30b9\u30b3\u30fb\u30c0\u30fb\u30df\u30e9\u30ce\u3001\u30de\u30eb\u30b3\u30fb\u30c0\u30e9\u30af\u30a3\u30e9\u3001\u30a2\u30c9\u30ea\u30a2\u30f3\u30fb\u30eb\u30ed\u30ef\u306e\u821e\u66f2\u306a\u3069
\n\uffe53,500\uff08\u73c8\u7432\u4ed8\u304d\u30fb\u4e8b\u524d\u632f\u8fbc\u307f\uff09
\n\u7533\u8fbc\u307fWEB\u30da\u30fc\u30b8\u3000http:\/\/twipla.jp\/events\/148440
\nRenaissance Lute (solo)\uff1a\u5742\u672c\u9f8d\u53f3<\/p>\nJuditha Triumphans \/ Vivaldi<\/h2>\n
\n6. 11. 14. 23. and 26. April 2015
\n18. May 2015
\n19. 21. and 26. June
\nTheater Basel
\nLa Cetra Basel<\/b>
\nDir. Andrea Marcon
\nhttp:\/\/lacetra.ch<\/a>
\nRyosuke plays theorbo and mandolino solo<\/p>\nThe Queen’s Revels<\/h2>\n
\nKaisersaal, Basel (CH)
\nAt the Court of Elizabeth I<\/b>
\nIn this programme they explore the musical links between England and the Continent through various songs, dances and consort pieces associated with Elizabeth I and her courtiers. Composers featured include John Dowland, Richard Allison, Antony Holborn, Daniel Bacheler, William Byrd and Alfonso Ferrabosco.
\nThe Kaisersaal dates to c. 1600 but was shrouded in later plaster and its existence was forgotten. It was discovered in 1979 and restored for concerts, plays and seminars.<\/p>\n
\nEight private concerts in beautiful and appropriate historic buildings during a journey with a ship which cruises from Basel to Amsterdam.
\nhttp:\/\/www.martinrandall.com\/tour\/829-the+rhine+valley+music+festival\/concerts\/<\/p>\nEnsemble Phoenix Munch<\/h2>\n
\nHerz-Jesu-Kirche, M\u00fcnchen (DE)<\/p>\n
\nThomas Morley und das \u201aBroken Consort\u2018 mit Dr. Lyle Nordstrom (Musicians of Swanne Alley)<\/p>\n
\nTheresa Dloughy (Sopran), N.N. (Alt), Manuel Warwitz (Tenor), Timothy Leigh Evans (Tenor), Joel Frederiksen (Bass, Laute, Cittern), Ryosuke Sakamoto (Laute)<\/span>, Baptiste Romain (Renaissance Violine), Dr. Lyle Nordstrom (Bandora), Sven Schwannberger (Fl\u00f6te, Blockfl\u00f6te, Laute), Domen Marin\u010di\u010d (Viola da Gamba).<\/p>\nThe Tunelanders<\/h2>\n
\nConvent, Mon\u00f2ver (ES)<\/p>\nThe Tunelanders<\/h2>\n
\nEl Teatret, Pza del Convent s\/n ,Xixona, Alacant (ES)<\/p>\nLe Parlement de Musique<\/h2>\n
\nBiblioth\u00e8que Nationale Universitaire de Strasbourg, Auditorium<\/p>\n
\nAirs, danses et folies de l’Europe baroque<\/p>\n
\nune s\u00e9duisante illustration des voyages des musiques, des musiciens et des artistes au XVIIe s.
\n![\"stras\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/stras-213x300.jpg\")
<\/a>
\nLe Parlement de Musique<\/u>
\nhttp:\/\/www.leparlementdemusique.com\/<\/a>
\nJuliette Perret, soprano
\nClaire Piganiol, harpe et fl\u00fbte \u00e0 bec
\nLina Manrique : viole de gambe et violon
\nRyosuke Sakamoto, th\u00e9orbe & viole de gambe
\nMartin Gester, clavecin<\/p>\n
\nLe mirior de Musique<\/u>
\nhttp:\/\/www.miroirdemusique.com<\/a>
\nLtg. Baptiste Romain<\/p>\nMatth\u00e4us-Passion \/J.Theile<\/h2>\n
\nKarfreitag, 3. April 2015, 10.00 Karfreitag-Gottesdienst
\nGrossm\u00fcnster, Z\u00fcrich (CH)<\/p>\n
\nCollegium Vocale und Collegium Musicum Grossm\u00fcnster
\nDir. Kantor Daniel Schmid
\nRyosuke plays viola da gamba.<\/p>\nF\u00f6rderpreis Alte Musik 2015<\/h2>\n
\nHochschule f\u00fcr Musik Saar, Konzertsaal (Mitschnitt durch SR)
\nKonzertfinale<\/b>
\nhttp:\/\/www.alte-musik-saarland.de\/start\/submenu\/forderkreis-alte-musik\/<\/p>\n
\nAlice Borciani (soprano), Anne Freitag (traverso), Ryosuke Sakamoto (lute)<\/p>\nSolo Recitals in JAPAN<\/h2>\n
\nOumi-gakudo\u3000\u8fd1\u6c5f\u697d\u5802, Tokyo(JP)
\n17. February 2015
\nCrystal chapel (\u5343\u91cc\u962a\u6025\u30db\u30c6\u30eb\u5185\u30af\u30ea\u30b9\u30bf\u30eb\u30c1\u30e3\u30da\u30eb), Osaka (JP)<\/p>\n
\nRyosuke Sakamoto, Renaissance lute
\n![\"10676212_308066082737009_8682421088123588297_n\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/10676212_308066082737009_8682421088123588297_n-213x300.jpg\")
<\/a>![\"10845964_308066109403673_579688350443733231_n\"](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/10845964_308066109403673_579688350443733231_n-213x300.jpg\")
<\/a><\/p>\nTrio Stadlmann(\u30d0\u30ea\u30c8\u30f3\u30c8\u30ea\u30aa)\u3000\u65e5\u672c\u30c4\u30a2\u30fc<\/h2>\n
\n9 December 2014, Zinzendorfhaus Basel (CH)<\/p>\n
\n19:00, 6 January 2015, \u30e4\u30de\u30cf\u30db\u30fc\u30eb(\u6771\u4eac\u30fb\u9280\u5ea7)
\n18:30, 8 January 2015,\u3000\u751f\u6daf\u5b66\u7fd2\u30bb\u30f3\u30bf\u30fc\u30e9\u30c7\u30a3\u30a2\u30f3(\u795e\u5948\u5ddd\uff65\u4e8c\u5bae\u753a)
\n14:00, 10 January 2015,\u3000\u5c90\u961c\u73fe\u4ee3\u7f8e\u8853\u9928NBK\u30db\u30fc\u30eb(\u5c90\u961c\uff65\u95a2\u5e02)
\n14:00, 11 January 2015,\u3000\u9752\u5c71\u97f3\u697d\u8a18\u5ff5\u9928\u30d0\u30ed\u30c3\u30af\u30b6\u30fc\u30eb(\u4eac\u90fd)
\n14:00, 12 January 2015,\u3000JT\u30a2\u30fc\u30c8\u30db\u30fc\u30ebAffinis(\u6771\u4eac\u30fb\u864e\u30ce\u9580)<\/p>\n
\n\u5168\u516c\u6f14\u4e00\u62ec\u554f\u3044\u5408\u308f\u305b\u3000\u30aa\u30d5\u30a3\u30b9\u30fb\u30c9\u30e9\u30b4\u30cd\u30c3\u30c8 office.dragonet@gmail.com<\/p>\n
\n\u5742\u672c\u9f8d\u53f3\u3000Ryosuke Sakamoto : Baryton
\n\u671d\u5439\u5712\u5b50 Sonoko Asabuki : Viola
\n\u83c5\u9593\u5468\u5b50 Shuko Sugama : Viennese Double-bass<\/p>\n
\n\u300c\u30d0\u30ea\u30c8\u30f3\u30fb\u30c8\u30ea\u30aa\u300d\u3068\u306f\u3001\u3053\u306e\u30d0\u30ea\u30c8\u30f3\u306b\u30f4\u30a3\u30aa\u30e9\u3068\u30d0\u30b9\uff08\u30c1\u30a7\u30ed\u307e\u305f\u306f\u30b3\u30f3\u30c8\u30e9\u30d0\u30b9\uff09\u3092\u52a0\u3048\u305f\u7de8\u6210\u304b\u3089\u306a\u308a\u3001\u3068\u308a\u308f\u3051\u53e4\u5178\u6d3e\u3092\u4ee3\u8868\u3059\u308b\u4f5c\u66f2\u5bb6J.\u30cf\u30a4\u30c9\u30f3\u304c\u3001\u30d0\u30ea\u30c8\u30f3\u3092\u611b\u594f\u3057\u305f\u5f53\u6642\u306e\u541b\u4e3b\u3067\u3042\u308b\u30a8\u30b9\u30c6\u30eb\u30cf\u30fc\u30ba\u30a3\u5019\u306e\u305f\u3081\u306b\u591a\u304f\u306e\u4f5c\u54c1\u3092\u6b8b\u3057\u307e\u3057\u305f\u3002
\n\u4eca\u56de\u306e\u300c\u30c8\u30ea\u30aa\u30fb\u30b7\u30e5\u30bf\u30c3\u30c8\u30eb\u30de\u30f3\u300d\u306b\u3088\u308b\u4e00\u9023\u306e\u516c\u6f14\u3067\u306f\u3001\u305d\u306e\u697d\u5668\u306e\u5e0c\u5c11\u6027\u3086\u3048\u306b\u4eca\u65e5\u3067\u306f\u5b9f\u6f14\u306e\u6a5f\u4f1a\u304c\u6975\u3081\u3066\u5c11\u306a\u3044\u97f3\u697d\u3092\u3001\u5f53\u6642\u306e\u7de8\u6210\u305d\u306e\u307e\u307e\u3067\u304a\u805e\u304d\u3044\u305f\u3060\u304d\u307e\u3059\u3002<\/p>\n
\nBaryton-Trio is a combination of Baryton, Viola, and Bass instrument (either cello or doublebass in Viennese style), and particularly the famous classical composer
\nJopeph Haydn wrote numerous works for this ensemble mostly intended for the Duke of Esterhazy, who was in favor of playing Baryton.
\nThis series of concerts performed by Trio Stadlmann is quite valuable opportunity to present this kind of repertoire to Japanese audience. <\/p>\nEnglish Lute Duets & Songs<\/h2>\n
\nTenma church \u65e5\u672c\u57fa\u7763\u6559\u56e3 \u5929\u6e80\u6559\u4f1a, Osaka (JP)<\/p>\n
\nThe Leaves be Green
\n\u53e4\u304d\u826f\u304d\u82f1\u56fd\u306e\u30c7\u30e5\u30aa\u30fb\u6728\u3005\u306f\u7dd1\u306b<\/p>\n
\nRyosuke Sakamoto \u5742\u672c\u9f8d\u53f3, lute&viol
\nKenji Sano \u4f50\u91ce\u5065\u4e8c, lute&orpharion<\/p>\n
\nhttp:\/\/www.emclute.com
\nemc@emclute.com
\n![\"\u30b9\u30af\u30ea\u30fc\u30f3\u30b7\u30e7\u30c3\u30c8](\"http:\/\/ryosukesakamoto.com\/wp-content\/uploads\/a9c16541d35214f30b612ca202d52023-214x300.png\")
<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"